Category: African Education
Love’s Affliction by Fidelis O. Mkparu narrates on the experiences of Joseph Fafa. After he arrived in North Carolina in 1977 to attend college, he thought he had left violence behind in his native Nigeria, where the Biafran War claimed two members of his family. What he wasn’t expecting was to be attacked because his skin color was different than that of the young woman he was dating. In North Carolina, Joseph learns that being able to speak the “King’s English” doesn’t guarantee he’ll know when he is being insulted in the local vernacular—as when a young Southern black woman calls him an “Uncle Tom” for dating a white woman.
So long as the relationship between Joseph and the beautiful ballerina Wendy Crane is strictly platonic, her wealthy and powerful family is willing to be tolerant. But when it becomes clear that Wendy wishes to take her friendship with the ambitious and high-achieving young premed student to a more intimate level, her father’s instincts as a Southern man of property and importance kick into high gear. James Crane lets Joseph know that he doesn’t mind the Nigerian dating American women—just so long as the woman isn’t his daughter. And when Joseph follows the advice of his heart and continues dating Wendy, he learns, too late, just how tenuous institutional promises can be. When Joseph’s acceptance into the college of medicine and promise of a scholarship are rescinded, he has only to read the name of the institution that has closed its doors to him: the Crane-University Medical Center.
But even with Wendy, Joseph finds little peace. She is jealous of the attentions Joseph gave the beautiful Francesca after Wendy decamped the racial storms of North Carolina for France. And even though Francesca dumped him for a career as a swimsuit model, Wendy still distrusts the attention Joseph receives from Gina McRee, who may take her role as the foreign student’s mentor as being more than “sisterly.”
Love’s Affliction tells the story of the three years Joseph Fafa of Nigeria spends in premed studies at a North Carolina college and how his love for the beautiful and talented daughter of a prestigious Southern family nearly destroys his dreams of becoming a doctor. When, twenty-nine years later, Joseph and Wendy’s paths cross again, they are able to look through past pains and misconceptions and accept their youthful love for what it was, a flare of illumination sparked by the clash between two cultures, leaving each of them better, wiser people.
The River and the Source is among the few out-standing works tagged African literature. In this novel touching on family ties and continuity of the authentic African social fabric, Margaret Ogola exemplified her prowess in creative writing in a captivating and informative narrative. The River and the Source Novel was first published in 1994, and became the first among Margaret Ogola’s three notable novels. The novel is currently a literature study text in Kenya. Other literary works written by Margaret Ogola prior to her demise are: Cardinal Otunga: A Gift of Grace with Margaret Roche (1999); I Swear by Apollo (2002); Place of Destiny (2005). The novel “I Swear by Apollo” was written as a sequel to The River and The Source.
Summary & Review
The story-line in The River and The Source follows the inter-related lives of women across four generations. As evident in the novel, social changes occurring in the course of time has significant impact on the way the society views women, and accords them opportunities. Margaret Ogola successfully captures these changing perceptions over time, and eventually portrays the place of women in the modern African society. She skillfully shows how these experiences are more or less similar or related, though occurring in different time dispensations.
The setting of the story is in Kenya, with the use of language and thematic concerns showing a deep appreciation of the Luo Culture. Moreover, the themes addressed in the story are applicable to the general African context. As the events is the story are set in the post-colonial period, the Margaret Ogola makes strong statements in relation to the advancement of women’s rights for the African context. Her feminist approach to writing does not look down at men in society, for the elevation of women’s status. On the contrary, the author’s creativity molds the African woman as innately strong, whose strength need only be acknowledged and therefore awakened. She steers clear of showing competition between men and women in African societies, and gives the idea that all can work together for mutual benefits.
Margaret Ogola also shows the similarity of challenges experienced by women across time, where the different generations of women seemingly share in the experiences of oppression, and their ability of overcoming the oppressive lifestyle imposed on them. The length of the book does justice to the author’s intentions to tell her story. As you flip through the pages, which otherwise seem inexhaustible, you become more and more engaged with the story. The young African reader can easily relate with the imagery on African lifestyle, as depicted in the story. The general readership is easily captivated by the artistic narration of events, crowning Ogola as one of the prolific African writers in the past few decades. Margaret Ogola is therefore successful in her intentions to tell the story. She creatively informs on the plight of the African woman, and gives insight on her abilities wherever she is given the opportunity to perform.
The themes, characters, setting and audience add taste to the narrative. The unfolding of events from one chapter to the next reveals the hidden patterns in the novel, which assist the author in telling her story. Hence, the plot of novel is divided into four parts;
*Part 1: The Girl Child *Part 2: The Art of Giving *Part 3: Love and Life *Part 4: Variable winds
The novel, Scarlet Song, by Mariama Ba, focuses on the theme of love, and narrates the story of two youngsters. Ousmane Gueye (a Senegalese) and Mireille (daughter of a French diplomat). The two young people are from highly diverse backgrounds, but are bound together by love.
At the beginning of the novel, the reader is introduced to Ousmane Gueye. The writer gives a description of the kind of environment he grew up in – a humble background. Mireille, however, has different experiences in life. As the daughter of a French diplomat, her life is rather fair.
The novel is divided into three main parts. Each of the parts is further divided into several smaller sections. Each main part of the novel presents a major milestone for the couple’s relationship.
Ousmane Gueye is from a humble Muslim family and has overcome numerous challenges to acquire education. Mireille, on the other hand is from an affluent home, and literally had everything she desired materially, while growing up. Neither the difference in their worlds, nor the animosity arising from both families towards each other, succeeds in drawing them apart.After a separation that lasted for a number of years, the two get married and settle down in Senegal.
The novel, however, ends on a sad note, as Ousmane has an affair with Ouleymatou (a childhood friend). On discovering the double standard life Ousmane is leading, Mireille becomes mentally unstable and kills their young child. She also goes on and stabs Ousmane several times. The story ends with her deportation to France.
Setting, Characters, & Themes
The novel is set in different locations, among which, the major ones include; Rural African setting, Institution of Higher Learning and Urban environments. Each of the different settings is of significance in the development of the novels’ plot.
There are a number of characters in the novel, among which the major ones are; Ousmane Gueye and Mireille. Other characters in the novel include; Yaye Khady (Ousmane’s mother), Djibril Gueye (Ousmane’s father), Ouleymatou (Ousmane’s childhood friend and later on, wife), and Mireille’s father and mother.
The writer adopts an Omniscient narrator’s voice throughout the novel. This enables the reader to have an all round view of the events that take place in the novel.The author’s use of language has also enabled her to give the novel an authentic African taste. There are a number of words in the novel, which are written in Arabic. This is an additional attempt at reflecting the culture of the community in focus.
Apart from the theme of love, which is the major theme in the novel, other themes that the writer highlights include; racial animosity, traditions versus modernity, Education and Betrayal.
Mariama Ba ranks among prolific writers of the past and current century. She not only writes about the authentic African experience. She explores the struggles and experiences of a ‘special’ category of Africans. Mariama Ba explores the place of women as having a special place in the African society.
Indeed, most of the struggles facing the African woman are highlighted in the novel. Some of the experiences she writes about can be linked with Mariama Ba’s personal life and struggles as a woman in the African context. As a Feminist writer, she skillfully and artistically illuminated the role of women in the largely patriarchal African society.
As Mariama Ba writes from her experiences as an African woman, the majority of women share in her sentiments concerning struggle and recognition of women in Africa. Mariama Ba’s depiction of women is comparable to that of Margaret Ogola, in the novel The River and the Source.
Mariama Ba has been successful in her efforts of informing the reader about the predicament facing different classes of individuals within her society. At the same time ensuring that the reader remains captivated throughout the novel.
Summary and Review
A meeting in the dark is a short story by Kenya’s prolific writer, Ngugi wa Thiong’o. The story is set in Kenya, among the Kikuyu community. The story is about a young man called John, who is among the few young men in his community to have acquired the ‘white man’s education’. In the story, John is revered and looked upon by many members of his community as the perfect representation of a ‘true African son’. John had managed to complete all the levels of education available in the country at that time and was set to leave for further education in a neighbouring country.
John, as the main character in the story is portrayed as optimistic about his future, once he acquires higher education. However there is something else that is holding him back, someone else who is casting shadows of doubt in his heart – Wamuhu. Wamuhu is John’s lover, who happens to get pregnant unexpectedly just before he leaves the country. John had done his best to hide his disturbed mind from showing on his face, but had achieved very little in the presence of his observant mother. Susana (John’s mother) could clearly see that her son was deeply troubled about something, but could not get much out of him She is presented by the author as closer to John compared to the father, who is portrayed as rather distant from John’s emotional development.
Continued preoccupation with the idea that he would be forced to marry Wamuhu and cut short his education causes John to develop anxiety. The anxiety turns to fear at the thought of his father discovering that his son had impregnated an ‘unbeliever’s daughter’. As the date of his departure approaches, he tries to come up with a plan of silencing Wamuhu – until he has managed to leave the country. Wamuhu is however aware of John’s impending departure, as John had not succeeded in keeping his educational opportunity a secret in his community.
Nightmares haunt John in his sleep, and when he cannot hold his peace any longer, he decides to go visit Wamuhu. He steadily heads towards the direction of Wamuhu’s home, reaches to the door, knocks and enters. John casts a glance across the room after being welcomed, as is the custom in his village, and notices that the person of his interest is not among them – Wamuhu. After a short while, he excuses himself and leaves in a hurry, nearly bumping into Wamuhu at the doorway.
John and Wamuhu move away from the house and walk along in the dark, where they hold their conversation. John tries to draw up all sorts of plans as to convince Wamuhu keep the pregnancy a secret from her parents, but she does not give in to any of John’s ideas. At some point, John encourages Wamuhu to lay the pregnancy responsibility on another young man so as to let him off the hook, but Wamuhu views this as an insult to her. She further informs John that her mother had already become suspicious owing to Wamuhu’s ‘heavy breathing’ as she slept.
At this point, John’s mind runs blank and seems to have run out of ideas on how to keep Wamuhu silent. He sees himself falling into a ‘bottomless pit’; he is unable to ‘contemplate the fall’. In a feat of confusion and desperation, John grabs Wamuhu by the neck and squeezes her tightly. He continues to tighten his grip on her as she gasps for air and free herself, but in vain. There in the dark, Wamuhu collapses, and John comes back to his senses as he looks on the Wamuhu’s body lying motionless on the ground. The story closes with the line“….he had created then killed”.